视频简介
该剧由Greg Garcia开发，首季10集。故事根据Greg Garcia曾经撰写过的系列虚构故事改编，剧情聚焦「循迹山」小镇度假出租屋及其形形色色的客人。作为诗选类型剧集，故事地点虽然不会变，但每集都描述不同客人的故事——如同本周刚刚播出的《104房间》（Room 104）。其中两个值得一提的故事为：一个基督教信徒试图让坚持无神论的媳妇接受基督教洗礼，甚至为此想出了一套搞笑的「阴谋诡计」；一场阿曼门诺教派的「过渡礼」出现严重问题，导致他们和当地人发生搞笑的互动。该剧也会有独特的主线故事，尤其是季终集。 Kellie Martin在首季中扮演「循迹山」小镇的警官Kimberly Leahy，Charlie Robinson扮演性格随和的租赁别墅总经理Wilfrid，Aloma Wright扮演Wilfrid的妻子Emma，Carly Jibson扮...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。