视频简介
Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。黎学津是香港首富之独子、这次他带着初识一个月的上海女服务生青文到邮轮上,就在第一天晚上的约会,他以极度奢侈的浪漫获得了青文的首肯,两人订起婚来。而这已是黎学津的第九次订婚了,每次爱情总是来得快,去得也快,新鲜感一过他就悔婚了。学津越来越喜欢青文的应对得体,原来青文暗地里每晚苦苦补习第二天的话题,使她觉得非常辛苦。就在此时,青文遇上了船上的侍应生乐文,跟乐文在一起,青文只觉得无拘无束,大家来自同一背景,呼吸相同的空气,青文的心开始动摇了。船上另一女乘客红叶,与学津二人势成水火。但逐渐地,学津发觉当红叶不跟他抬杠时,他便会感到空虚寂寞,这是他从未有过的感觉,从没有人敢直指出他的缺点,只有这个红叶敢当众教训他、奚落他。而当他跟红叶更多接触时,他更被红叶的性格所吸引。正当船要靠岸,学津想表达心迹之时,竟发现岸上已有一班警察等着红叶。原来红叶已破产,这次将是她最后一次旅程。她亏空公款,在船上做最後一次挥霍。终于,学津替她还债,更向她求婚,这会是学津最后一次的求婚,而青文与乐文亦终成眷属。。
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