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“在最美的地方遇见，同时失去。”在北京打拼的欧阳正东经历母亲及女友思桐相继去世，身心备受折磨成为一个“躯壳”，性格扭曲分裂，白日的他，正常工作的冷漠总裁，夜晚来临时，便行尸走肉，用酗酒摧残自己，而他的助理池菲儿目睹这一切，暗恋并爱上这个男人，渴望安抚时，却发现欧阳正东内心深处并没有她的位置，醉酒后的一夜欢愉也只把她当做替身，池菲儿选择等待，欧阳正东却选择通过远行救赎自己，在这趟远行中无意撞伤到草原追求理想的富家千金童一彤，导致她失忆，智力停留在十岁，欧阳正东把思桐的名字灌输了她，而在照顾思桐企图赎罪的途中，被她的单纯打动，爱上了她。 欧阳正东在离天堂最近的地方救赎了自己，也遇见了自己最美的爱情，然而病魔并没有给他机会拥有。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。