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比姆、比格和丹三个男青年在一家杂志社工作，某天回家途中，比姆遇见了一位姑娘，比格见到了一个卖花小孩，丹则遇到了一位满面皱纹的老妇人。随后他们的生命中发生了非常奇怪而又难以解释的转变，最可怕的是神秘迹象表明他们当中的一个即将暴卒。他们最后发现，在轮回的世界里，今天发生的一切要上溯到1917年…… 这部影片是导演的处女作，但制片人和编剧却是在华语影坛也颇有名气的彭顺、彭发兄弟。影片无论从节奏还是影像，都十分接近一部香港电影。最有趣的是，片中三位男演员，分别和香港的刘青云、冯德伦、徐少雄相貌酷似。影片在渲染悬疑气氛、设计细节伏笔方面，都称得上熟练精到，显示出泰国商业电影的制作水准已经达到了亚洲范围内的较高层次。泰国独有的宗教神话传统和文化特点，使得泰国的灵异电影足以成为世界影坛的一株奇葩。。前中情局高级审讯官艾丽斯·拉辛在一次反恐任务中，未能及时发现恐怖分子的阴谋，而致数十名百姓无辜丧生，自责的她选择退出中情局。但习惯了正常生活的艾丽斯却被突然召回，要求协助破解要案，委派她从嫌犯口中审讯出重要的恐袭线索。然而就在审讯有所斩获时，她接到一通上级的电话，致使她心生疑惑。种种迹象表明，中情局有内鬼，艾丽斯也被迫开始了她孤胆“解密”之旅，就在她身陷重围时，杰克·奥尔科特挺身而出营救下艾丽斯，面对接踵而至的杀手、亦敌亦友的杰克，艾丽斯决定主动出击，完成这攸关数百万人生命的“惊天解密”任务。。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。